Does
the American Economy Serve Democratic Values? Cont’d
·
Should also remember that Labor [the
Left] brought us the weekend and has been sole voice looking after our air and
water.
·
One problem with today’s economy is the
illusion of health from low unemployment rates:
“The
country’s very good at generating jobs -- just not jobs people can live on.”
·
One view is to democratize corporate
systems and structure as a way to reform
the “baronies” we now call corporations -- rather than scrap the current
system -- have actual workers and representatives of the community affected by
the corporation sit on the board of directors.
·
One panelist sees this problem with the
Left today:
·
If you have a problem with the economy
you better have a better alternative -- and it better be substantive --
otherwise change can’t happen. The
Democratic Party had a plan 30
years ago and it failed miserably [welfare].
Today, they have no plan.
·
Must be a comparative issue. Those on the Left have no idea how to
organize an economy around democratic ideals
·
That changing government and
institutions will change and reform human vices (like greed, selfishness etc.)
is an old illusion that has led to miserable results in the past
·
There never has been a model economy
for Democratic Leftists -- not socialists nor fascists -- the bit of good news
is there’s only been 200 years of “modern” history to look to
·
If there is no ideal Democrats can hold
high in example -- those on the Right can’t be dragged into argument of a
utopia versus a real economy -- the present economy and programs may have
problems but the Democrats have no real alternatives
·
Issue is Practical Steps vs. Utopian Vision
·
West:
American Democracy is real
and it stands for populism, pluralism, antiracism
and antidiscrimination. The Left is
what made America great 100 years ago
·
Rainbow
Room Cocktail Recipes
Bronx
Cocktail: Dry Vermouth, Sweet
Vermouth, bitters, OJ, Gin, strain over ice
Rainbow
Room Fizz: 1 oz of B & B, dash
of bitters, orange juice, champagne, strain over ice, flaming orange twist
·
Puglianese
Appetizer --Beets with fresh mint: 2 lbs fresh beets, olive oil, 2 tbls red wine
vinegar, course salt, black pepper, fresh mint.
Wine recos: Riesling
(Halbstrachen , a little dry);
Taurina Salice Salentino. Separate
reco: Argentinian vineyard Bodegas
Weinert Merlot or Cabernet
·
Campaign
Idea from Rolling Rock -- Latrobe Locations: TV spot shot at Latrobe bridge. Spokesman sits on bridge as he explains
unique, local character that makes Rolling Rock a great beer. Brings a nationally distributed product back
to a place while providing a relevant, brand-centered backdrop to copy and
claims. This campaign could help Ore-Ida
and Saratoga to understand their brands’ geographic source of strength.
·
An
Irishman, upon seeing the immensity of the Rocky Mountains for the
first time, writes
home to his
brother:
Patty, you better get here quick; they have so much land, they’re stacking it!
·
Argument
Strategy -- A Case For Balance (1/19/98 USN, John Leo No
Takeovers Please)
·
Feminists claim Vision 2000 is a plea
for equal opportunity and fairness on campus -- balanced representation
vis-a-vis males.
·
Vision calls for female knowledge --
which seems to depend heavily on personal experience, feelings, and cooperation
rather than competition or striving for excellence -- new knowledge created by women and minorities will depose and
replace “white male” knowledge.
·
What’s the response to what Daphne
Patai, U. Mass Professor of Literature, calls “an attempted coup, a stunningly
imperialistic move to put in place a questionable feminist agenda, thinly
disguised as a plea for equal opportunity and fairness”?
·
I would call for greater balance in
agenda and motives represented by Vision 2000 -- obviously does not reflect the
sentiments of the general female population -- minorities -- and white males
who would agree in principal, but not agree to tactics
Observation: Almost any position can be defended or assailed by “Making a Case for
Balance”
·
On
the Plebacy of Large Organizations
If you’re
not the lead dog, the view doesn’t change.
·
Grammy
Trivia: First Record of the
Year Award: “Nel Blu Dipinto Di Blu (Volare) by Domenico
Modugno, 1958
·
Art
Shipping Service -- BoxArt NY
·
Book
Reco: David Dorsey, The Cost of Living, Viking 1997
·
Lucian
Freud commenting on his choice of twenty-nine paintings for “The
Artist’s Eye’ show at the National Gallery, wrote:
‘One quality these paintings share is that
they all make me want to go back to work.’
·
From
Jackson Pollock: An American Saga by Steven Naifeh and Gregory White
Smith
Clarkson Potter
1989
·
On the floor lay a painting that
Jackson had been working on recently, a network of delicate circles painted
with a light, tentative brush -- unlike anything he had done before. Seeing it,
poet Tony Smith thought of something George Grosz had told him once: ‘When
a painter works in circles ... he is near madness. Look at Van Gogh’, he said.
·
Pollock: Abstract painting is abstract. It confronts you.
·
On Pollock’s originality:
Compared to Pollock, marveled one
critic, Picasso becomes a quiet conformist, a painter of the past.
·
Jackson’s art reached always for new
outrages, new tests, all of them built on the original outrage of which Jackson
was always preciously aware: that he was an
artist who could not draw -- at least not in the way artists were supposed
to draw. He would eventually force the
world to give him the attention he craved: to suffer forgiveness for his
outrages; not just to tolerate him, but to love him, or at least his art; to
accept him, and finally to concede that he was a great artist.
·
Interesting fact, Chapt. One -- Strong-minded
Women: Men whose wives died on the trek west were notoriously disconsolate
and “lost” for years; some never recovered. Women whose husbands died, on the
other hand, would routinely repair to the nearest town or relative, remarry,
and press on.
·
No
one’s eye was more sensitive than Jackson’s. “He looked at things psychedelically,” says
Nick Carone, a close friend at the end of Pollock’s life. “He didn’t see them with the retina, he saw
them with his mind. He would look at an
ashtray like he was trying to get at its molecular structure. And then he would touch it, move a butt or a matchstick
with his fingertips. He was organizing
that phenomena, putting it right. He was
going to make it his.”
·
On sensitivity and motivation: Even as a child, according to his brother
Sande, Jackson was, like his father, sensitive “to an unnatural degree.” Barefoot , dressed in bib overalls, his blond
hair shining in the Arizona sun, Jackson explored his little universe: both the
outer landscape of adobe houses and dusty yards, and the inner landscape of sibling
rivalries and unreturned love. Then,
detail by detail, he took that universe and “put it right.” Through fantasy, he created his own
landscape, a private world of images that, for the rest of his life, would
haunt his dreams and preoccupy his art.
·
Editorial brochure deriding obsession
with athletics at Manual Arts H.S.
-- that led to Pollack’s
expulsion from high school (probably written by Goldstein and Tolegian)
STUDENTS OF
MANUAL ARTS:
We
present for your consideration the serious problem of good judgment in relative
values in this high school. We deplore
most heartily the unreasonable elevation of athletic ability and the consequent
degradation of scholarship. Instead of
yelling “hit that line,” we should cry “make that grade.” Give those letters to our scholars, our
artists, and our musicians instead of animated examples of physical
prowess. Give our offices to executives
instead of varsity men. Our last
president was a living example of the system we advocate. There have been such men elected but they have
been few and far between. It will mean a
great change in our present policies. If
the change is not made, Manual, the school we know and love is doomed. It is all very good to win victories but what
good are they if we have nothing behind them?
School success depends first upon administrative reputation. Interscholastic victories are matters of
secondary importance. We must have victory at home before we are worthy of
victory abroad. Too much emphasis has
been placed on the physical end of school life; too little on the mental. We have before us a difficult task. Let us face it bravely. STUDENTS, MANUAL NEEDS REFORM. ARE YOU MEN ENOUGH TO GIVE IT?
·
His father Roy’s response: “I do not think a young fellow should be too
serious. It is no use to worry about
what you can’t help, or what you can help, moral ‘Don’t worry.’ (It was the
credo of a man who, unlike Jackson, had come to terms with himself, however
unfavorable those terms might have been.)
Perhaps Jackson’s indecisiveness seemed to Roy too much like
indifference. “The secret of success is
concentrated interest.”
·
Faye
Dunaway on Youthful Good Looks
When you’re
20 and pretty, then you’re rather like Switzerland -- beautiful but dull.
·
New
Magazine Title:
Essay -- publication dedicated to advancing the ideas and
attracting a larger audience to the leading essayists and their works --
inspired by John Leo columns, also a potential editorial repositioning for The Atlantic Monthly.
·
On
having more than you need:
You have a full belly, you must serve others. unknown
·
Gender
Police: ‘Pull Over!’ From On
Society by John Leo -- 3/23/98 USN
·
Bill
Gates on the Justice Dept.’s wanting Microsoft to include rival Netscape’s Web
browser in Windows 98
It’s a little like asking us to include three cans of Pepsi
with every six-pack of Coke.
·
King
Vidor on movie direction:
In
America you light the star in Europe you light the set.
·
Van
Gogh quotes:
Exaggerate the essentials and leave the
obvious vague.
What Dickens says in words, I say in
paint.
·
Joseph
Campanella (WPA artist):
WPA artists were free to share the experiences,
labors and poverty of the working class.
Free to be a human being and free to have his fellow human beings as
subjects. That’s freedom.
·
On
Excellence (USN 11/23/98 article about Linux free software creators
& hackers):
They do it for love,
and people who work for love make better things.
- Kevin Kelly, author of a New World
Economy
· Quote
on Nature by Luther Standing Bear, Oglala Chief
We did not think
of the great open plains, the beautiful rolling hills, and winding streams ...
as wild. Only to the white man was
nature a ‘wilderness.
·
On
creative control by Stanley Kubrick:
One man writes a novel. One man writes a symphony. It is essential for one man to make a film.
·
On
Sketching by Eugene Delacroix:
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